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Jazz Vocal Techniques
TABLE OF CONTENTS |
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I |
INTRODUCTION |
1 - 8 |
What Is A Jazz
Singer; Gender Issue?; Jazz In The University;
Importance Of Piano; Rhythm;Swing Feel; Improvisation; Repertoire;
Jazz Singing And Singers; |
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II |
INTERVALS, SCALES, & CHORDS |
9 - 23 |
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Intervals; Scales; Enharmonics; Triads; Progressions;
Diatonic Relationships; Modes; Ear Training; Exercises; |
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III |
WHERE ARE WE? |
24 - 33 |
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Form; Sections; Bridgeless Standards; Bossa Nova;
Rhythm Changes; Twelve Bar Blues; Four Bar Phrases; Examples;
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IV |
DID YOU BRING YOUR CHARTS? |
34 - 48 |
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Sitting In; Your Book; Casuals; Fake Books; Transposing;
Chord Symbols; Key Signatures; Circle Of Fifths;
Time Signatures; Signs And Terms;
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V |
A BRIEF HISTORY OF THE BLUES |
49 - 58 |
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Beginnings; American Folksong; Harmonic Development;
Modern Blues Form; Lowered Seventh; Substitution Chords;
Jazz Blues Form; Blues Variations; Minor Blues; Rock & Roll;
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VI |
IMPROVISATION ON THE BLUES |
59 - 77 |
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Common Tones; Solfege; Scat Syllables; Blues Exercises;
Modes & The Blues Form; Blue Notes; Blues Scale;
Motives; Passing & Approach Notes; Building A Solo;
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VII |
HARMONY IN JAZZ STANDARDS |
78 - 100 |
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I-VI-II-V Progression; Turnarounds; II-V-I Progression;
Tonal Centers; Parent Scales; Soloing Over II-V-I;
Analysis: Prom Night Barbie, Lady Is A Tramp; Sub Chords In
Turnarounds; Lady Is A Tramp bridge, Arpeggios;
Step Down Progression; Text-Focused Improv;
Shout Chorus; Exercises;
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VIII |
INTROS, TAGS, AND CODAS |
101 - 111 |
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Intros; Rootless Voicings; Counting Off A Tune; Tags;
Tritone Substitution; Bossa Nova Codas;
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IX |
ADVANCED IMPROV |
112 - 135 |
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Transcriptions; Vocalese; Upper Structure Chord Tones;
Bebop Style; 7-3 & 9-5 Resolutions; Approach Notes;
Bop Style Motives; Sideslipping; Sequences; Quotes;
Using Modes; Analysis: Bossa Nova Harmony; Tonal Centers;
Analysis: All The Things You Are;
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X |
ALTERED CHORDS AND SCALES |
136 - 142 |
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Altered Dominants; Altered Scales; Bebop Scales;
Minor II-V-I; Upper Structure Piano Voicings;
Altered Bop Motives; Phrasing;
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XI |
YOU ARE FEELING VERY RELAXED
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143 - 152 |
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Relaxation Exercises; The Jaw And The Tongue;
Breathing; Open Your Mouth and say 'Ah'; Support;
Visualization; Singing Principles; Scatting Exercises;
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XII |
I NEED A GIG! |
153 - 158 |
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Where The Gigs Are; Who To Call; Equipment; |
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Glossary of Terms |
159 - 160 |
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Discography |
161 - 162 |
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Index |
163 - 164 |
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